Mike Murphy - author

Four plot points

According to advice I have readon writing  a screen play there should be four plot points, roughly equally apart. If the aim is 80,000 to 100,000 words, then each point is reached after 20 to 25,000 words.

In the screen play I am writing, provisionally titled stranded, it took me a while to determine what the plot points were. I knew the over-all story line but  wasn't sure of the plot points (or what would be called crises if writing a novel or short story).

So my four sections now are

1. Two people argue  until the man angrily gives in.

2. They start to change their minds after seeing each other in a good light.

3. An incident occurs to makes them again angry with each other.

4. They help each other and their differences are resolved.

Within each of these I have to build up to a crisis point which changes their relationship dramatically.

All good fun.

I  live in Mandurah, Western Australia, where, when I am not dabbling in painting, playing my guitar and trying to grow old gracefully, I am trying to write a screen play. 

Where to buy my books

Hard copies and E-books can be purchased on Amazon, Booktopia, Kobo and all the usual on-line book retailers. Book stores can obtain them through Ingram Spark, who publish them for me.

If you would like a signed copy, send me a message on the contact page of this website. The price of $30 includes postage in Australia. If you are outside Australia, email me and I will work out the postage.

The Man Who Didn't Like People

Joe Wetherley left his wife and children  twenty years ago and has been living on his own in the bush. Now he must seek out his family again and make decisions about the legacy he will be leaving them.


A New Era For Manny Youngman

Manny Youngman has  unconventional ideas on feminism and the effects it has on our society but he has not counted on a fifteen-year-old daughter he didn't know he had.

A life in short stories

A collection of some of the many short stories I have written over the past 60 years, from some that were published in "girlie" magazines in the 1960s to the most recent entered in competitions and published in anthologies.
A unique view of a writer's life as I adapted to market needs and my own interests.